Amen Corner
What is the ‘Amen Corner’ in Golf?
‘Amen Corner’ is a term steeped in golf lore, referring to a famous and challenging section of the Augusta National Golf Club, home of the Masters Tournament.
This iconic stretch includes the second half of the 11th hole, the entire 12th hole, and the first half of the 13th hole. The name ‘Amen Corner’ was coined to denote the critical point where significant swings in fortune have occurred during the Masters, often determining the outcome of the tournament. It’s a place of both beauty and trepidation for golfers, symbolizing a pivotal moment in one of golf’s most prestigious events.
The Origin and Significance of ‘Amen Corner’
The term ‘Amen Corner’ was first used by sports writer Herbert Warren Wind in 1958, inspired by a jazz song titled “Shouting in that Amen Corner.” Wind used it to describe a particularly dramatic sequence during the Masters where the fate of several players changed abruptly. Since then, ‘Amen Corner’ has become synonymous with the excitement and unpredictability of the Masters. This stretch of holes is known for its strategic complexity, requiring precise shot-making and mental fortitude from the players.
‘Amen Corner’ in Golf’s Greatest Moments
‘Amen Corner’ has been the scene of some of golf’s most memorable moments, with its challenging play often playing a crucial role in deciding the Masters champion. Phrases like, “He navigated Amen Corner flawlessly,” or “Amen Corner proved to be his undoing,” are commonly heard during the tournament, highlighting its impact on the game. The 12th hole, in particular, a short par-3, has been a deciding factor in many tournaments, with its deceptive wind conditions and treacherous greens.
In summary, ‘Amen Corner’ is more than just a series of holes on a golf course; it’s a symbol of the challenges and triumphs that define the Masters Tournament. Its legendary status in the golf world transcends the physical layout, embodying the drama, beauty, and unpredictability that make golf such an enthralling sport.
